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Tromso Chic Stylish Contemporary Workstation, Oak
This Tromso Chic Stylish Contemporary Workstation will give your home office a very stylish and professional look and with the compact size it won't take up too much space.The compact desk is designed to be very strong and has steel tubular legs that are powder coated for extra durability. An additional feature of the desk is that it also has a handy built in draw and open storage area for you to store all of your stationery items and vital work bits.To make the desk ultra-adjustable so you can find your perfect working position the desk has adjustable legs so you can make sure it is level and set at the correct height. The desk top is also made from a 15mm heat and strain resistant melamine material for added strength.. Contemporary design. Steel tubular legs, powder coated for durability. Open fronted under desktop storage. Height adjustable levelling feet. Top made from 15mm heat and stain resistant melamine. Approximate dimensions (mm) H 750 W 1150 D 480. Weight 24.6KG*Self Assembly Required *Please note that this product is delivered direct from our supplier and may take a little longer to arrive
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Tromso Chic Stylish Contemporary Workstation, Walnut
Naut Walnut Effect Workstation
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The Craft of Contemporary Commercial Music
In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities.Modern composers not only write music, but also often need to perform, record, and market their own works.The Craft of Contemporary Commercial Music prepares today’s music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully. The textbook integrates three areas of concentration—music theory and composition, audio engineering, and music business—allowing students to understand and practice how to successfully navigate each stage of a score’s life cycle from concept to contract.Students will learn how to: Translate musical ideas into scores utilizing music theory and composition techniques Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing Market works to prospective clientsThe textbook assumes no prior knowledge of music theory or audio topics, and its modular organization allows instructors to use the book flexibly.Exercises at the end of each chapter provide practice with key skills, and a companion website supports the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages. Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.
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Contemporary art rooted in urban culture
Monikermon·ick·er / [ mon-i-ker ]a person's name, especially a nickname or alias. “In the street art world everyone is equal and they don't wait for official approval.They are artists in every sense of the word, whether they are painting in their own backyard or a huge illegal mural on the street for all the world to see.” Frankie Shea“Moniker Art Fair has caused a stir internationally by providing an art fair environment for the sort of work normally overlooked by the traditional art world.” Katie Antoniou, Run-RiotThis groundbreaking platform dismantles the elitist barriers prevalent in the art world, offering artists an unbiased space to showcase their creations.This book reflects on Moniker’s impressive saga, from upstart art fair to critical support infrastructure for the urban art community.For that next generation of artistic outsiders, those who are pounding at the gates to be let in, Moniker can act as an inspiration.Few have done as much as Moniker to position urban art as accessible, historically significant, and exciting.
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How can one design a commercial?
To design a commercial, one should start by clearly defining the target audience and the message they want to convey. Next, they should create a script that effectively communicates the message and captures the audience's attention. Then, they can plan the visual and audio elements such as the setting, actors, music, and voiceover to bring the script to life. Finally, they should test the commercial with a focus group to gather feedback and make any necessary adjustments before finalizing the design.
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How should I design the beginning of a commercial?
The beginning of a commercial should grab the viewer's attention and clearly communicate the product or service being advertised. It's important to create a hook or an intriguing opening that will make the audience want to keep watching. Using visually appealing imagery, compelling storytelling, or a catchy jingle can help to capture the audience's interest from the start. Additionally, including a clear and concise message about the benefits or unique selling points of the product or service early on can help to engage the viewer and make a lasting impression.
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Are contemporary plays modern?
Contemporary plays can be considered modern in the sense that they reflect current societal issues, values, and cultural norms. They often incorporate modern technology, language, and themes that are relevant to today's audience. However, the term "modern" can also refer to a specific historical period in theater, typically the late 19th and early 20th centuries, so in that sense, contemporary plays may not be considered modern. Overall, the classification of contemporary plays as modern depends on the context and definition being used.
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Are microjobs commercial?
Yes, microjobs are commercial in nature. They involve the exchange of goods or services for payment, which is a fundamental aspect of commercial activity. Whether it's completing small tasks, providing services, or selling products, microjobs are part of the commercial economy and contribute to the overall marketplace. Additionally, many microjob platforms are operated by commercial entities that facilitate the transactions between individuals or businesses.
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Transacting as Art, Design and Architecture : A Non-Commercial Market
Transacting as Art, Design and Architecture: A Non-Commercial Market re-performs the original event #TransActing: A Market of Values as a printed text with the ambition of investing in the published word and image at least some of the original market’s depth and liveness.Holding fast to the experimental ethos of Critical Practice, this anthology does not shy away from risk when the aim is expanding the fields of art, design and architectural research.The authors’ distinct but also overlapping forms (practical, poetic, analytical, etc.) track with the plurality of voices, the processes that have nurtured the cluster as it has worked internationally for more than a decade to produce unique projects. The book opens with contributions that reflect on TransActing as collaborative practice-based research.The introduction contextualizes this popup market within London’s long history of local marketplaces.Cued by emerging government policy on market sustainability, the tripartite of place, people and prosperity helps to frame TransActing.Taking a different approach, a partial self-portrait of Critical Practice traces TransActing’s becoming over more than a decade of activity and five years of research on value.This is followed by an account of the market’s physical infrastructure: the prototyping of bespoke stalls which were built from recycled materials, an approach inspired by an early example of open-source furniture design.This comes to life in the next section: polyphonic observations on the stalls in use and the market more generally.The stallholders’ reflections capture the experience of those directly involved and are richly illustrated with images of or related to their stalls. The second part of Transacting as Art, Design and Architecture is composed of commissioned texts to contextualise the market by weaving together references from various fields.These include celebrating the value system of TransActing, especially its critique econometrics.Closely connected to the latter, which was occasioned by Critical Practice’s tenth anniversary, is the subsequent paper's consideration of invisible, feminized labour, which is as undervalued as it is indispensable to cultural production.Taking a slightly different tack is the use of architectural theory (past and present) to trace the transforming nature of the public market, especially as an arena of consumerism.This is followed by an account that looks at the experience of TransActing from the perspective of its local currency.This story is followed by a conversation on the art market and/or the markets of art.This brings the reader to a manifesto-like text that calls for solidarity through publishing, understood as the co-production of meaning through a distributed social process.The penultimate contribution to this collection considers TransActing as a built environment with reference to the market’s shelters and platforms.Finally, a glossary rounds off and opens up the publication as a resource.This compilation of key terms adds nuance to the language used throughout this publication to indicate its resonance in the discourse of Critical Practice. The collection aims to prioritize practice-based insights as an alternative to knowledge-based ones.In this way the book aims to be a refreshing take, one that moves art-research discussions beyond the creation of knowledge.As such, this book will appeal to all those involved in the ‘research turn’ in contemporary cultural production, including those working in institutions and organizations, especially ones with strong community engagement programmes, as well as independent practitioners working in social and socially engaged practice. Primary readership will be practitioners of art, design, curating and architecture and students studying in these fields.The secondary audience will include cultural producers, theorists, educators and others who are interested in how art and other forms of creative practice can challenge the ‘usual’ financial circuits of value and open up alternatives.
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White Automatic Buckle Cowhide Belt Chic Casual Commercial Luxury Design Double-sided Genuine
White Automatic Buckle Cowhide Belt Chic Casual Commercial Luxury Design Double-sided Genuine
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White Automatic Buckle Cowhide Belt Chic Casual Commercial Luxury Design Double-sided Genuine
White Automatic Buckle Cowhide Belt Chic Casual Commercial Luxury Design Double-sided Genuine
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Yhpup Stylish Unique Design Imitation Pearls Geometric Chic Finger Ring 18K Gold & Platinum PVD
Yhpup Stylish Unique Design Imitation Pearls Geometric Chic Finger Ring 18K Gold & Platinum PVD
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Are open floor plans in apartments contemporary?
Yes, open floor plans in apartments are considered contemporary. Open floor plans have become increasingly popular in modern apartment design as they create a sense of spaciousness and flow between different living areas. This design trend reflects the contemporary preference for a more open and connected living space, as opposed to the compartmentalized layouts of older apartment designs. Additionally, open floor plans often allow for more natural light and better opportunities for socializing and entertaining, which aligns with contemporary lifestyle preferences.
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How do you compare a commercial traveler to a commercial agent?
A commercial traveler is an individual who travels to different locations to sell goods or services on behalf of a company, often working on a commission basis. On the other hand, a commercial agent is a representative who acts on behalf of a company to negotiate and facilitate business transactions with clients or customers. While both roles involve promoting and selling products or services, a commercial agent typically has a more formal relationship with the company they represent and may have a broader range of responsibilities beyond just sales.
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What is commercial subletting?
Commercial subletting is when a tenant rents out a portion of their leased commercial space to another party. This can be beneficial for the original tenant, as it allows them to offset some of their rental costs by collecting rent from the subtenant. However, commercial subletting typically requires the landlord's approval and may come with certain restrictions or conditions. It's important for both the original tenant and the subtenant to carefully review the terms of the sublease agreement to ensure that they are in compliance with the original lease and local laws.
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What is commercial music?
Commercial music refers to music that is created and marketed with the intention of generating profit. This can include popular music genres such as pop, rock, hip-hop, and country, as well as music used in advertising, film, and television. Commercial music is often produced by professional musicians and is designed to appeal to a wide audience in order to achieve commercial success. It is typically distributed through major record labels and streaming platforms, and is often promoted through live performances, music videos, and other marketing strategies.
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