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Repetition
WINNER OF THE NOBEL PRIZE FOR LITERATURE'Repetition made a great and, as I have since learned, lasting impression on me' W.G. SebaldFilip Kobal, an Austrian teenager, is on the trail of his missing older brother Gregor, who he never knew.All he has is two of Gregor's books: a school copy book, and a dictionary in which certain words have been marked.As he enters Slovenia on his journey, Filip discovers something else entirely: the transformative power of language to describe the world, and the unnerving joy of being an outsider in a strange land. 'One of the most moving evocations I have ever read of what it means to be alive, to walk upon this earth' Gabriel JosipoviciTranslated by Ralph Manheim
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Sameness and Repetition in Contemporary Media Culture
The ebook edition of this title is Open Access and freely available to read online. Our culture has an uneasy relationship with repetition and sameness.On the one hand, we find familiarity pleasurable and soothing; on the other, we crave novelty and long for a sense of discovery.We blame algorithms, intent on selling us more of the same, and on a media industry too greedy to risk investing in intellectually challenging, radically new, products.Sameness and Repetition in Contemporary Media Culture takes a comprehensive approach that both theorises and historically grounds the idea of repetition in relation to media as something that is deeply embedded in our cultural tradition.This project received funding from the Carlsberg Foundation.
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Phases & Repetition
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The Reenactment in Contemporary Screen Culture : Performance, Mediation, Repetition
During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies.Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres.Working with an eclectic collection of case studies from Milk, Monster, Boys Don’t Cry, and The Battle of Orgreave to CSI and the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed.Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly transformed through its incorporation within forms of technical media.
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Promotion or repetition?
Promotion is the advancement of a student to the next grade level based on their academic performance and mastery of the material. Repetition, on the other hand, is the act of having a student repeat the same grade level due to not meeting the required academic standards. While promotion allows students to progress and continue their education, repetition can provide students with the opportunity to strengthen their skills and knowledge before moving on to the next level. Ultimately, the decision between promotion and repetition should be based on what is in the best interest of the student's overall academic development and success.
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What is a repetition?
Repetition is the act of repeating something that has already been said or done. It is a literary device used to emphasize a point, create rhythm, or reinforce an idea. In writing, repetition can be used for various purposes such as adding emphasis, creating a sense of unity, or enhancing the overall impact of the message. It is a common technique used in speeches, poetry, and storytelling to make a point more memorable or powerful.
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Is a repetition possible?
Yes, a repetition is possible. In many situations, repetition is a common occurrence, whether it be in daily routines, patterns, or behaviors. Repetition can also be found in music, literature, and art as a way to create emphasis, rhythm, and structure. In some cases, repetition can be intentional and purposeful, while in others it may be unintentional or simply a natural part of life.
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What is the regulation for voluntary repetition in Bavaria with one repetition?
In Bavaria, students are allowed to voluntarily repeat a school year once. This means that if a student feels that they need more time to fully understand the material or improve their grades, they can choose to repeat the year. However, this decision must be made in consultation with the school and parents, and it is subject to certain conditions and regulations set by the education authorities. It is important for students to consider the potential impact on their academic and personal development before making the decision to repeat a year.
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Repetition and Mythos
Writing his Habilitationsschrift as a young man in the late 1950s, future Pontiff Joseph Ratzinger argues that, when St.Bonaventure composed his Collationes in Hexaemeron in the spring of 1273, not since St.Augustine's De Civitate Dei contra Paganos had the world seen such a ground-breaking work on the logos of history.Indeed, for Ratzinger's Bonaventure, history is "first philosophy." The thirteenth-century Franciscan rails against the widespread assumption, rooted the newly "rediscovered" Aristotle, of history's unintelligibility.For Bonaventure, mythos mediates the difference between science and history, yielding a non-positivistic approach to the latter.Building on the dynamics of Plato's Line, Boulter show that the days of creation, narrated by Bonaventure, structure both history and thought. Because, like a story, it has beginning and end, history as a whole can be grasped.Hence, eschatological knowledge of the end of the world is possible.Yet this work also shows how the false "progress myths" of modernity are counterfeit versions of true, spiritual advancement of the kind embodied by saints such as Francis and Bonaventure himself.What is the logos of history? It turns out that it is mythos.
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Television and Repetition
Resisting some of the negative connotations that repetition can attract, this book illustrates how it has been used as a catalyst for creative expression across a range of television genres. Divided into two parts, the first three chapters contextualise repetition within related media and critical debates, before locating it as an important facet of television that is worth exploring in detail.The final three chapters discuss specific television shows that incorporate repetition creatively within their narrative structure and aesthetic composition, ranging from The Royle Family and Doctor Who to I May Destroy You and This is Going to Hurt.In each case, James Walters argues that repetition emerges as crucial to the expression of key themes and ideas, thus becoming a structural and compositional element itself. Exploring the ways in which repetition has featured in the work of figures such as Umberto Eco, Raymond Bellour and Bruce Kawin, and has influenced the approaches of television scholars like Raymond Williams, Roger Silverstone and John Ellis, this book is essential reading for scholars and students of film, television and media studies.
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Difference and Repetition
Since its publication in 1968, Difference and Repetition, an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Gilles Deleuze's most important works.The text follows the development of two central concepts, those of pure difference and complex repetition.It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising.The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.
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Fear and Trembling/Repetition
Presented here in a new translation, with a historical introduction by the translators, Fear and Trembling and Repetition are the most poetic and personal of Soren Kierkegaard's pseudonymous writings.Published in 1843 and written under the names Johannes de Silentio and Constantine Constantius, respectively, the books demonstrate Kierkegaard's transmutation of the personal into the lyrically religious.Each work uses as a point of departure Kierkegaard's breaking of his engagement to Regine Olsen--his sacrifice of "that single individual." From this beginning Fear and Trembling becomes an exploration of the faith that transcends the ethical, as in Abraham's willingness to sacrifice his son Isaac at God's command.This faith, which persists in the face of the absurd, is rewarded finally by the return of all that the faithful one is willing to sacrifice.Repetition discusses the most profound implications of unity of personhood and of identity within change, beginning with the ironic story of a young poet who cannot fulfill the ethical claims of his engagement because of the possible consequences of his marriage. The poet finally despairs of repetition (renewal) in the ethical sphere, as does his advisor and friend Constantius in the aesthetic sphere.The book ends with Constantius' intimation of a third kind of repetition--in the religious sphere.
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How can one improve piano technique for fast note repetition and note repetition?
To improve piano technique for fast note repetition and note repetition, one can focus on developing finger strength and dexterity through regular practice and exercises. This can include practicing scales, arpeggios, and other technical exercises to improve finger agility and control. Additionally, focusing on proper hand and finger positioning, as well as relaxation and tension release, can help improve speed and accuracy in note repetition. It is also important to practice with a metronome to develop a steady and even rhythm, and to gradually increase speed as proficiency improves.
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What is a repetition error?
A repetition error occurs when a person repeats a task or action more times than intended due to a mistake or oversight. This can happen when someone forgets that they have already completed a task and end up doing it again unnecessarily. Repetition errors can lead to inefficiency, wasted time, and frustration for the individual involved. It is important to be mindful and attentive to avoid making repetition errors in daily tasks.
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Does infinity prevent infinite repetition?
No, infinity does not prevent infinite repetition. In fact, infinity implies the concept of endlessness, so it allows for the possibility of infinite repetition. For example, in a set of infinite numbers, there can be infinite repetitions of certain values. Therefore, infinity does not prevent infinite repetition, but rather encompasses the idea of it.
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What is a motif repetition?
A motif repetition is the repeated use of a particular theme, image, or idea in a literary work. This repetition helps to reinforce the significance of the motif and can contribute to the overall meaning of the work. By appearing multiple times throughout the text, a motif repetition can create a sense of unity and coherence, as well as emphasize the importance of the motif to the story or message being conveyed.
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