Products related to Emotion:
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Philosophy of Emotion : A Contemporary Introduction
In this book, Christine Tappolet offers readers a thorough, wide-ranging, and highly accessible introduction to the philosophy of emotions.It covers recent interdisciplinary debates on the nature of emotions as well as standard theories of emotions, such as feeling theories, motivational theories, and evaluative theories.The book includes discussions of the alleged irrationality of emotions, and looks into the question of whether emotions could not, in some cases, contribute positively to theoretical and practical rationality.In addition, the role of emotions in the theory of virtues and the theory of values receives a detailed treatment.Finally, the book turns to the question of how we can regulate and even educate our emotions by engaging with music and with narrative art. The overall picture of emotions that emerges is one that does justice to the central role that emotions play in our lives, conceiving of emotions as crucial to our grasp of values.As an opinionated introduction, the book doesn’t pretend to be neutral but aims to engage readers in contemporary debates.Each chapter closes with questions for further discussion and suggestions for further reading. Key Features:Written for advanced undergraduates, suitable as the main text in a philosophy of emotion course or as a complement to a set of primary readingsIncludes useful features for student readers like introductions, study questions, and suggestions for further reading in each chapterConsiders whether emotions interfere with our reasoning or whether they can, in some cases, help us to be more rationalArgues against basic emotion theory and social constructionism that emotions are both shaped by biological forces and social forcesDiscusses a variety of subjectivist and objectivist approaches, which share the assumption that emotions and values are closely connected.
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Emotion by Design : Lessons on Creativity from a Life at Nike
'The marketing genius behind Nike . . . Greg Hoffman has inspired me tremendously' Steven Bartlett, author of Happy Sexy Millionaire How did Nike go from being a small sneaker brand to the world's most revered company? Why do its campaigns - from 'Just do it' to the famous Nike swoosh - capture the imaginations of millions worldwide? And what can any founder or marketer learn from them?Greg Hoffman joined Nike as 22-year-old design intern.Over the next thirty years, he would help craft some of the most iconic campaigns in history - for Ronaldo and Serena, Olympic Games and World Cup finals.Now, he unveils a transformative method that will make any brand more creative: emotion by design. 'Great story, amazing career, so inspirational . . . I couldn't put it down' Chris Evans'The ultimate playbook to unleash creativity in any team' Jake Humphrey, author of High Performance'An unforgettable account of a man and a business that never had to try to be someone else's idea of cool - because they had already defined it themselves' Rory Sutherland, Vice-Chairman of Ogilvy and author of Alchemy'Brilliant . . . Hoffman draws on a lifetime of experience at Nike to reveal how any team can make brand connections stronger' Nir Eyal, author of Hooked'This book made me smile in my soul' Mary Portas'Remarkable . . . A distinctive framework that will help marketers and creatives connect with their audiences like never before' Jonah Berger, author of Contagious
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Cognition, Emotion, and Aesthetics in Contemporary Serial Television
This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.The chapters explore a number of questions including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically?How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment?Why and how do we value some serials while disliking others?What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture?This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art.
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What is an Emotion? : Classic and Contemporary Readings
What is an Emotion?, 2/e, draws together important selections from classical and contemporary theories and debates about emotion.Utilizing sources from a variety of subject areas including philosophy, psychology, and biology, editor Robert Solomon provides an illuminating look at the "affective" side of psychology and philosophy from the perspective of the world's great thinkers.Part One of the book features five classic readings from Aristotle, the Stoics, Descartes, Spinoza, and Hume.Part Two offers classic and contemporary theories from the social sciences, presenting selections from such thinkers as Charles Darwin and Sigmund Freud alongside recent work from Paul Ekman, Catherine Lutz, and others.Part Three presents some of the extensive work on emotion that developed in Europe over the past century.Part Four includes essays representing the discussion of emotions among British and American analytic philosophers.The volume is enhanced by a comprehensive introduction by the editor and a multidisciplinary bibliography. What is an Emotion? is appropriate for any course in which the nature of emotion plays a major role, including philosophy of emotion, philosophy of mind, history of psychology, emotion and motivation, moral psychology, and history and psychology of consciousness courses.The second edition provides much more material on emotions in the sciences and more from recent philosophical theories, encompassing recent shifts in theorizing on three fronts: the wealth of new information on the central nervous system and the brain; new developments in cross-cultural research and anthropology; and the recent emphasis on "cognition" in emotion, both in philosophy and the social sciences.New selections include work by Antonio Damasio, Ronald De Sousa, Paul Ekman, Nico Frijda, Patricia Greenspan, Paul Griffiths, Richard Lazarus, Catherine Lutz, Martha Nussbaum, and Michael Stocker.
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Is hatred really an emotion?
Hatred is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is commonly referred to as an emotion due to its powerful and visceral nature, some argue that it is more of a learned behavior or mindset rather than a pure emotion. Hatred can be fueled by a variety of factors such as fear, prejudice, or past experiences, making it a complex and multifaceted phenomenon that goes beyond just being a simple emotion.
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Is fear the strongest emotion?
Fear is a powerful and primal emotion that can have a strong impact on our thoughts and actions. However, it is not necessarily the strongest emotion for everyone. Different individuals may experience and respond to emotions in different ways, and what feels most powerful to one person may not be the same for another. Emotions such as love, anger, and joy can also have a significant impact on our lives and can be just as powerful as fear in certain situations. Therefore, it is subjective to say whether fear is the strongest emotion overall.
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Is hate really an emotion?
Hate is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is not a primary emotion like happiness or sadness, hate is considered a complex emotion that can be fueled by a combination of other emotions such as anger, fear, or disgust. It involves a deep-seated aversion and can lead to harmful thoughts and actions. Overall, hate can be seen as a powerful and destructive emotion that can have significant impacts on individuals and society.
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What does little emotion mean?
Little emotion refers to a lack of strong feelings or expressions of emotion. It can indicate a sense of detachment, indifference, or apathy towards a situation or person. People who exhibit little emotion may have difficulty connecting with their own emotions or the emotions of others, leading to a perceived lack of empathy or understanding in social interactions.
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Love Objects : Emotion, Design and Material Culture
How are love and emotion embodied in material form?Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times. Addressing both designed 'things with attitude' and the 'wild things' of material culture, Love Objects explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland.
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How Games Move Us : Emotion by Design
An engaging examination of how video game design can create strong, positive emotional experiences for players, with examples from popular, indie, and art games. This is a renaissance moment for video games—in the variety of genres they represent, and the range of emotional territory they cover.But how do games create emotion? In How Games Move Us, Katherine Isbister takes the reader on a timely and novel exploration of the design techniques that evoke strong emotions for players.She counters arguments that games are creating a generation of isolated, emotionally numb, antisocial loners.Games, Isbister shows us, can actually play a powerful role in creating empathy and other strong, positive emotional experiences; they reveal these qualities over time, through the act of playing.She offers a nuanced, systematic examination of exactly how games can influence emotion and social connection, with examples—drawn from popular, indie, and art games—that unpack the gamer's experience. Isbister describes choice and flow, two qualities that distinguish games from other media, and explains how game developers build upon these qualities using avatars, non-player characters, and character customization, in both solo and social play.She shows how designers use physical movement to enhance players' emotional experience, and examines long-distance networked play.She illustrates the use of these design methods with examples that range from Sony's Little Big Planet to the much-praised indie game Journey to art games like Brenda Romero's Train.Isbister's analysis shows us a new way to think about games, helping us appreciate them as an innovative and powerful medium for doing what film, literature, and other creative media do: helping us to understand ourselves and what it means to be human.
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Emotion Guideline Workbook : Managing the Design Process
Manipulating the design process can be challenging for junior design, art and creative students.Besides understanding the approaches to managing the design factors with logical thinking, they can lack experience in handling emotional changes and concerns and initiative factors during the design process.As a result, they struggle to practice design and need guidance for enhancing their decision-making, evaluation, judgment, and motivation. This book proposes a set of guiding principles with the intention of assisting the reader in regulating the emotional changes that occur throughout the design process.This book offers practical approaches to those who would like to incorporate emotion in their design processes, which contrasts with previous scholarly research that has mostly focused on the theoretical level.It provides guidance to the reader through the process of adapting to the emotional changes that may occur throughout the design process during their design studies.It contains a literature review, research methods and a discussion of the strengths and limitations.Featuring printable worksheets and additional tables to use as guidance, this highly practical text allows the reader to gain a full understanding of emotion in the design procedure through active involvement process. The Emotion Guideline Workbook is perfect for design, art and creative students, as well as their instructors, researchers, and other learners who are interested in emotion-driven design.It will also appeal to students and academics in the fields of psychology and education.
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Unreleased Emotion
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Do emotion and reason go together?
Emotion and reason are often seen as two separate aspects of human cognition, but they are not mutually exclusive. In fact, they often work together to help us make decisions and navigate the world. Emotions can provide valuable information about our values and preferences, while reason can help us evaluate options and make logical choices. Ultimately, a balance of both emotion and reason is often necessary for making well-rounded and informed decisions.
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Which emotion accompanies you the most?
As an AI, I do not experience emotions like humans do. I am designed to assist and provide information to the best of my abilities without any emotional influence. My main purpose is to help users with their queries and provide accurate and helpful responses.
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Why is she writing without emotion?
She may be writing without emotion because she is trying to convey information in a clear and objective manner. This could be important in a professional or academic context where emotions may cloud the message. Additionally, she may be intentionally trying to distance herself from the topic or the reader in order to maintain a sense of professionalism or neutrality. Finally, it's possible that she is feeling emotionally detached from the subject matter and is reflecting that in her writing.
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Is this lack of emotion normal?
The experience of a lack of emotion can be normal in certain situations, such as during periods of stress or grief. However, if the lack of emotion persists for an extended period of time and significantly impacts daily functioning, it may be a sign of an underlying mental health issue such as depression or anxiety. It is important to seek support from a mental health professional to better understand the cause of the lack of emotion and to receive appropriate treatment.
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